in a wheat pit to-morrow, they would show their mettle. Come, Loudon, my dear; heaven knows I have no thought but your own good, and I will offer you a bargain. I start you again next term with ten thousand dollars; show yourself a man, and double it, and then (if you still wish to go to Paris, which I know you won't) I'll let you go. But to let you run away as if you were whipped, is what I am too proud to do.”
My heart leaped at this proposal, and then sank again. It seemed easier to paint a Meissonier on the spot than to win ten thousand dollars on that mimic stock exchange. Nor could I help reflecting on the singularity of such a test for a man's capacity to be a painter. I ventured even to comment on this.
He sighed deeply. “You forget, my dear,” said he, “I am a judge of the one, and not of the other. You might have the genius of Bierstadt himself, and I would be none the wiser.”
“And then,” I continued, “it's scarcely fair. The other boys are helped by their people, who telegraph and give them pointers. There's Jim Costello, who never budges without a word from his father in New York. And then, don't you see, if anybody is to win, somebody must lose?”
“I'll keep you posted,” cried my father, with unusual animation; “I did not know it was allowed. I'll wire you in the office cipher, and we'll make it a kind of partnership business, Loudon—Dodd & Son, eh?” and he patted my shoulder and repeated, “Dodd & Son, Dodd & Son,” with the kindliest amusement.
If my father was to give me pointers, and the commercial college was to be a stepping-stone to Paris, I could look my future in the face. The old boy, too, was so pleased at the idea of our association in this foolery that he immediately plucked up spirit.
