those romances I had loved to read, to re-read, and to dream over, among the woods of Muskegon.
At this time we were all a little Murger-mad in the Latin Quarter. The play of the Vie de Bohème (a dreary, snivelling piece) had been produced at the Odeon, had run an unconscionable time—for Paris—and revived the freshness of the legend. The same business, you may say, or there and thereabout, was being privately enacted in consequence in every garret of the neighbourhood, and a good third of the students were consciously impersonating Rodolphe or Schaunard to their own incommunicable satisfaction. Some of us went far, and some farther. I always looked with awful envy (for instance) on a certain countryman of my own who had a studio in the Rue Monsieur le Prince, wore boots, and long hair in a net, and could be seen tramping off, in this guise, to the worst eating-house of the quarter, followed by a Corsican model, his mistress, in the conspicuous costume of her race and calling. It takes some greatness of soul to carry even folly to such heights as these; and for my own part, I had to content myself by pretending very arduously to be poor, by wearing a smoking-cap on the streets, and by pursuing, through a series of misadventures, that extinct mammal, the grisette. The most grievous part was the eating and the drinking. I was born with a dainty tooth and a palate for wine; and only a genuine devotion to romance could have supported me under the cat-civets that I had to swallow, and the red ink of Bercy I must wash them down withal. Every now and again, after a hard day at the studio, where I was steadily and far from unsuccessfully industrious, a wave of distaste would overbear me; I would slink away from my haunts and companions, indemnify myself for weeks of self-denial with fine wines and dainty dishes; seated perhaps on a terrace, perhaps in an arbour in a garden, with a volume of one of my favourite authors propped
