supposed to have made the most conspicuous figure in the actual battle. At one blow, he had broken his own stool, and sent the largest of his opponents back foremost through what we used to call a “conscientious nude.” It appears that, in the continuation of his flight, this fallen warrior issued on the boulevard still framed in the burst canvas.
It will be understood how much talk the incident aroused in the students' quarter, and that I was highly gratified to make the acquaintance of my famous countryman. It chanced I was to see more of the Quixotic side of his character before the morning was done; for as we continued to stroll together, I found myself near the studio of a young Frenchman whose work I had promised to examine, and in the fashion of the quarter carried up Pinkerton along with me. Some of my comrades of this date were pretty obnoxious fellows. I could almost always admire and respect the grown-up practitioners of art in Paris; but many of those who were still in a state of pupilage were sorry specimens, so much so that I used often to wonder where the painters came from, and where the brutes of students went to. A similar mystery hangs over the intermediate stages of the medical profession, and must have perplexed the least observant. The ruffian, at least, whom I now carried Pinkerton to visit, was one of the most crapulous in the quarter. He turned out for our delectation a huge “crust” (as we used to call it) of St. Stephen, wallowing in red upon his belly in an exhausted receiver, and a crowd of Hebrews in blue, green, and yellow, pelting him—apparently with buns; and while we gazed upon this contrivance, regaled us with a piece of his own recent biography, of which his mind was still very full, and which he seemed to fancy, represented him in a heroic posture. I was one of those cosmopolitan Americans, who accept the world (whether at home or abroad) as
