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NEW ARABIAN NIGHTS.

him was only two or three numbers from the left-hand side, and directly opposite one of the lower boxes. As the seat had been specially chosen there was doubtless something to be learned from its position; and he judged by an instinct that the box upon his right was, in some way or other, to be connected with the drama in which he ignorantly played a part. Indeed it was so situated that its occupants could safely observe him from beginning to end of the picce, if they were so minded; while, profiting by the depth, they could screen themselves sufficiently well from any counter-examination on his side. He promised himself not to leave it for a moment out of sight; and whilst he scanned the rest of the theatre, or made a show of attending to the business of the stage, he always kept a corner of an eye upon the empty box.

The second act had been some time in progress, and was even drawing towards a close, when the door opened and two persons entered and ensconced themselves in the darkest of the shade. Francis could hardly control his emotion. It was Mr. Vandeleur and his daughter. The blood came and went in his arteries and veins with stunning activity; his ears sang; his head turned. He dared not look lest he should awake suspicion; his play-bill, which he kept reading from end to end and over and over again, turned from white to red before his eyes; and when he cast a glance upon the stage, it seemed incalculably far away, and he found the voices and gestures of the actors to the last degree impertinent and absurd.

From time to time he risked a momentary look in the direction which principally arrested him; and once at least he felt certain that his eyes encountered those of the young girl. A shock passed over his body, and he saw all the colors of the rainbow. What would he not have given to overhear what passed between the Vandeleurs? What would he not have given for the courage to take up his opera-glass and steadily inspect their attitude and expression? There, for aught he