Page:Stories Revived (3 volumes, London, Macmillan, 1885), Volume 3.djvu/124

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THE LAST OF THE VALERIL
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him. "I was a thousand times right," I cried; "an Italian count may be mighty fine, but he won't wear! Give us some wholesome young fellow of our own blood, who will play us none of these dusky old-world tricks. Artist as I have aspired to be, I will never again recommend a husband with traditions!" I lost my pleasure in the Villa, in the violet shadows and amber lights, the mossy marbles and the long-trailing profile of the Alban Hills. My painting stood still; everything looked ugly. I sat and fumbled with my palette, and seemed to be mixing mud with my colours. My head was stuffed with dismal thoughts; an intolerable weight settled itself on my heart. The poor Count became, to my imagination, a dark efflorescence of the evil germs which history had implanted, in his line. No wonder he was foredoomed to be cruel. Was not cruelty a tradition in his race, and crime an example? The unholy passions of his forefathers revived, incurably, in his untaught nature and clamoured dumbly for an issue. What a heavy heritage it seemed to me, as I reckoned it up in my melancholy musings, the Count's interminable ancestry! Back to the profligate revival of arts and vices—back to the bloody medley of mediæval wars—back through the long, fitfully glaring dusk of the early ages to its ponderous origin in the solid Roman state—back through all the darkness of history it stretched itself, losing every claim on my sympathies as it went. Such a record was in itself a curse, and my dear girl had expected it to sit as lightly and gratefully on