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THE CREMONA VIOLIN.
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time did it harmonize with what he was talking about. Music was the subject of conversation; the praises of a new composer were being sung, when Krespel, smiling, said in his low, singing tones, "I wish the devil with his pitchfork would hurl that atrocious garbler of music millions of fathoms down to the bottomless pit of hell!"

Then he burst out passionately and wildly, "She is an angel of heaven, nothing but pure God-given music!—the paragon and queen of song!"—and tears stood in his eyes. To understand this, we had to go back to a celebrated artiste, who had been the subject of conversation an hour before.

Just at this time a roast hare was on the table; I noticed that Krespel carefully removed every particle of meat from the bones on his plate, and was most particular in his inquiries after the hare's feet; these the Professor's little five-year-old daughter now brought to him with a very pretty smile. Besides, the children had cast many friendly glances towards Krespel during dinner; now they rose and drew nearer to him, but not without signs of timorous awe. What's the meaning of that? thought I to myself. Dessert was brought in; then the Councillor took a little box from his pocket, in which he had a miniature lathe of steel. This he immediately screwed fast to the table, and turning the bones with incredible skill and rapidity, he made all sorts of little fancy boxes and balls, which the