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ILLUSTRATIONS OF IDEALISM.

in proportion to the increase and continuity of exclusively literary culture in the individual, until the point is reached at which a man thinks without having a single image definitely projected upon the mind's eye; his mental processes are, in fact, as colorless and formless as algebraic calculations. Mr. Galton's experiments in this matter are still fresh in our memories. Now it is not to be inferred that this was always the case, nor indeed that the intellect of highest development may not in the past, at least, have habitually thought in images, as the unlettered do to-day; and in Greece it appears that the picture language of the mind, as one may call it, held a place more important than with us, and perhaps equivalent to our own idea language. The Greek, as every one knows, peopled the earth with presiding geniuses, of more or less exalted rank, from Oread and Naiad, to the great Zeus of Olympus. These forms we call imaginary, and to our thought they are always tenuous; the point to be remembered is that, when the Greek spoke of Athene, an image came before his mind, and one not hypothetical and consciously symbolical, like Liberty with her cap, but definite, real, and awful, like the