signs underlying Shakespeare's choice and treatment of his subjects. I believe he was a man of business,—that his principal business was to produce plays which would draw.... But if, instead of looking about for a story to 'please' the Globe audience, he had been in search of a subject under cover of which he might steal into their minds 'a more tolerant feeling toward the Hebrew race,' I cannot think he would have selected for his hero a rich Jewish merchant plotting the murder of a Christian rival by means of a fraudulent contract, which made death the penalty of non-payment at the day, and insisting on the exaction of it. In a modern Christian audience it seems to be possible for a skillful actor to work on the feelings of an audience so far as to make a man engaged in such a business an object of respectful sympathy. But can anybody believe that in times when this would have been much more difficult, Shakespeare would have chosen such a case as a favorable one to suggest toleration to a public prejudiced against Jews?"
The omnipresent devil's advocate has several times come to Shylock's defense with a legal plea. Those who could find something
