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ON BROWNING'S DEATH.
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the balance of faculties and desires in it, the temperament of its historical period, the access to it of art or music or thought, and in a thousand ways; and Browning devotes himself oftentimes to the exposition of all this web of circumstance, in order that we may see the soul as it was under its conditions, instead of leaping to a conclusion by a hard-and-fast morality based upon the similarity of the soul in all men. The task happily falls in with his fine gift of reasoning, and increases by practice the suppleness and subtlety of this faculty of his. One might say, indeed, without close computation, that the larger part of his entire poetic work is occupied with such reasoning upon psychological cases, in the manner of a lawyer who educes a client's justification from the details of his temptation. Many of the longer poems are only instances of special pleading, and have all the faults that belong to that form of thought. The Ring and the Book is such an interminable argument, marvelous for intellectual resource, for skill in dialectic, for plausibility. Bishop Blougram, Mr. Sludge, Prince Hohenstiel-Schwangau, and others, readily occur to mind as being in the same way "apologies;" and in these