"At once it struck me what quality went to form a man of achievement, especially in literature, and which Shakespeare possessed so enormously—I mean negative capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason. Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the penetralium of Mystery, from being incapable of remaining content with half-knowledge. This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration."
"Many a man can travel to the very bourne of heaven, and yet want confidence to put down his half-seeing."
"I never feel quite certain of any truth but from a clear perception of its beauty, and I find myself very young-minded, even in that perceptive power."
"The whole thing must, I think, have appeared to you, who are a consecutive man, as a thing almost of mere words. But I assure you that, when I wrote it, it was a regular stepping of the imagination toward a truth."
