the idea and the expression are not identical, every poet suffers from this cause; in his mind the idea, coming first, dignifies the words, but to the reader the words coming first, too often mutilate the idea. It is a good result of Aubrey de Vere's Wordsworthianism that it gives him courage to force into the front of his essay the Orphic Odes, which are among the least known of the poet's work, and contain some of the noblest of his lines.
To Milton he seems somewhat unjust. The earlier poems receive his warm appreciation, but of the later ones he is hardly so tolerant, and nowhere does he give him his due. This is the passage:—
"It is not, however, its deficient popularity so much as its subject and its form which proves that Milton's great work is not a national poem, high as it ranks among our national triumphs. Some will affirm that he illustrated in that work his age if not his country. His age, however, gave him an impulse rather than materials. Puritanism became transmuted, as it passed through his capacious and ardent mind, into a faith Hebraic in its austere spirit—a faith that sympathized indeed with the Iconoclastic zeal
