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at the lowest that Holmes could have been combined with Hawthorne—not to suggest the creator of Caliban—and that their qualities could have coalesced with as little interference as those of Elsie and the snake. So much is suggested that one wants a more complete achievement. The fact is simply, I suppose, that Holmes had not the essential quality of the inspired novelist. He did not get fairly absorbed in his story and feel as though he were watching, instead of . contriving, the development of a situation. That, for example, is the way in which Richardson declares himself to have written, and which partly explains the fascination to our forefathers of his moralising and long-winded narratives. Holmes is distinctly a spectator from outside, and his attention is too easily distracted. I do not in the least object to a novelist discoursing or supplying comments if it be his natural vein; I am not simple-minded enough to care for the loss of the illusion. But the novelist should not give an analysis in place of a concrete picture, or wander into irrelevant remarks. Now, Holmes's intellect is so lively and unruly that the poor snake-lady gets too often squeezed into the background. He is struck by the peculiarities of New England villages, their