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numerous references to Swedenborg as one of the greatest leaders of thought, to be classed with the Platos and Shakespeares; and yet Emerson is equally attracted by men to whom mysticism would be another name for nonsense. From his boyhood he had studied Montaigne, another of his 'representative men,' of whom he speaks with a kind of personal affection. Montaigne appears in the Representative Men as the typical 'sceptic'; and scepticism goes rather awkwardly with mysticism and the imperative claims of direct intuition of simple truths. Yet Emerson finds scepticism congenial so far as it implies toleration. It represents contempt for the formalism and exaggeration of 'bigots and blockheads'; and every superior mind must pass through this 'domain of equilibration.' He delights, therefore, in Montaigne's hospitable reception of every conceivable variety of opinion. Montaigne, it is true, not only begins, but ends with doubt. 'Que sçais-je!' is his last word. But then, it is his superlative merit to admit frankly that there are doubts, instead of trying to smother them. The difference seems to be that while Montaigne remains balanced between opposite opinions, Emerson seems to hold that, though opposed, they may both be