talking to the audience, it is suggested, and should not have so clear a theory of motives which he would scarcely avow to himself. I fancy indeed that many young gentlemen have indulged in similar excuses for the process of sowing their wild oats, and the main peculiarity of Henry V. is that he really means them and keeps to his resolution. Shakespeare obviously expects us to approve the exile of Falstaff, and rather scandalises readers who have fallen in love with that disreputable person. A similar moral is implied in others of the most characteristic plays. Shakespeare, for example, sympathises most heartily and unmistakably with the pride of Coriolanus and the passionate energy of Mark Antony. They are admirable and attractive because they have such hot blood in their veins; but come to grief because the blood is not 'commingled' with judgment. The really enviable thing, he seems to say, would be to unite the two characteristics; to be full of energy which shall yet be always well in hand; to have unbounded strength of passion and yet never to be the slave of passion.
If this be a characteristic impression, it is an obvious suggestion that it is illustrated by Shakespeare's life. The young lad from the
