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maker. Dickens showed a similar capacity. Such cases may show that men can reconcile literary genius with business aptitudes. In one respect they may fall short of the case. They do not imply the actual preference of 'gain' to 'glory' attributed to Shakespeare. The closer parallel is, of course, Scott. If Scott's enjoyment of Abbotsford led to his ruin, while Shakespeare's more modest ambition was satisfied by New Place, the difference may have been that in the earlier period the arts of manufacturing paper credit were not so well understood. Still, Scott's estimate of the really valuable element of life naturally suggests Shakespeare. He held that the man of action was superior to the man of letters. He wondered that the Duke of Wellington should condescend to an interest in the author of a few 'bits of novels.' He meant frankly to make money by providing harmless amusement; but he did not fancy that the achievements of a novelist were comparable to the winning of battles or the making of laws. Shakespeare, we may guess, would have agreed. Like Scott, he held aloof from literary squabbles, whether from good-nature or from worldly wisdom, or from a sense of the pettiness of such contentions. He had his literary vanity, but it was