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nature to take things seriously, and to believe (bold as it appears) in the power of sermons. The humorist sees with painful distinctness the folly of the wise and the weakness of the hero and the general perversity of fortune. He may be capable of enthusiasm, or, at least, sympathy with the enthusiastic; but he feels that there is always a lurking irony in the general order of things. He is specially conscious of the vanity of his own ambition, and aware that his highest success makes a very small ripple on the great ocean of existence. Shakespeare had the good (though not rare) fortune of living before his commentators. His head, therefore, was not turned, and he held, we may suppose, that to defeat the Armada was a more important bit of work than to amuse the audience at the Globe. He could feel, indeed, the irony with which fate treats the great men of action. Masterful ambitions lead to catastrophes, and in the political world, where order and subordination are the essentials, even the ideal hero who can be calm in the storm, and hold his own amidst the struggling elements, is not much the better for it personally. Henry V. is still but a man made to bear the blame of all mishap, and 'subject to the breath of every fool.' He has nothing to show