with the opening. The greater part of the story is closely parallel to Chrestien; there are points of contact, peculiar to these two writers, with Gerbert. Little invention, properly so called, of incident can be traced in the Parzival. The part common to it and Chrestien is incomparably fuller and more interesting in the German poet, but the main outlines are the same. Wolfram has, however, been at some pains to let us know what was his conception of the legend. That much is allowed to remain at variance therewith is a clear proof of his timidity of invention.
Doubt, he says, is the most potent corrupter of the soul. Whoso gives himself over to unfaith and unsteadfastness treadeth in truth the downward path. God Himself is very faithfulness. Strife against Him, doubt of Him, is the highest sin. But humility and repentance may expiate it, and he who thus repents may be chosen by God for the Grail Kingship, the summit of earthly holiness. Peace of soul and all earthly power are the chosen one's; alone, unlawful desire and the company of sinners are denied him by the Grail.
How is this leading conception worked out? The framework and the march of incidents are the same as in the Conte du Graal. One capital change at once, however, lifts the story to a higher level. The Fisher King suffers from a wound received in the cause of unlawful love, in disobedience to those heavenly commands which govern the Grail community. The healing question can be put only by one worthy to take up the high office Amfortas has dishonoured, in virtue of having passed through the strife of doubt, and become reconciled to God by repentance and humble trust. If Parzival neglected to put the question on his first arrival at the Grail Castle, it was that in the conceit of youth he fancied all wisdom was his. Childish insistence upon his mother's counsels had brought down reproof upon him; he had learnt the world's wisdom from Gurnemanz, he had shown himself in defence of Conduiramur a valiant knight, worthy of power and woman's love. When brought into contact with the torturing sorrow of Amfortas, he is too full of himself, of his teacher's wisdom, to rightly use the opportunity.
The profound significance of the question which at once releases
