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A STUDY OF VICTOR HUGO

spiration, has this one deserved to be called by the most beautiful and tender of all human titles—the son of consolation. His burning wrath and scorn unquenchable were fed with light and heat from the inexhaustible dayspring of his love—a fountain of everlasting and unconsuming fire. We know of no such great poet so good, of no such good man so great in genius: not though Milton and Shelley, our greatest lyric singer and our single epic poet, remain with us for signs and examples of devotion as heroic and self-sacrifice as pure. And therefore it is but simply reasonable that not those alone should mourn for him who have been reared and nurtured on the fruits of his creative spirit: that those also whom he wrought and fought for, but who know him only as their champion and their friend—they that cannot even read him, but remember how he laboured in their cause, that their children might fare otherwise than they—should bear no unequal part in the burden of this infinite and worldwide sorrow.

For us, who from childhood upwards have fostered and fortified whatever of good was born in us—all capacity of spiritual work, all seed of human sympathy, all powers of hope and faith, all passions and aspirations found loyal to the service of duty and of love—with the bread of his deathless word and the wine of his immortal song, the one thing possible to do in this first hour of bitterness and stupefaction at the sense of a loss not possible yet to realize is not to declaim his praise or parade our lamentation in modulated effects or efforts of panegyric or of dirge: it is to reckon up once more the standing account of our all but incalculable debt. A brief and simple summary of his published works may probably lay before the student some points