The exquisite poem on the closure of the church already described for the winter is as radiant with humour as with tenderness: and the epilogue responds in cadences of august antiphony to the moral and imaginative passion which imbues with life and fire the magnificent music of the prologue.
In the course of the next four years Victor Hugo published the last two great works which were to be dated from the haven of his exile. It would be the very ineptitude of impertinence for any man's presumption to undertake the classification or registry of his five great romances in positive order of actual merit: but I may perhaps be permitted to say without fear of deserved rebuke that none is to me personally a treasure of greater price than Les Travailleurs de la Mer. The splendid energy of the book makes the superhuman energy of the hero seem not only possible but natural, and his triumph over all physical impossibilities not only natural but inevitable. Indeed, when glancing at the animadversions of a certain sort of critics on certain points or passages in this and in the next romance of its author, I am perpetually inclined to address them in the spirit—were it worth while to address them in any wise at all—after the fashion if not after the very phrase of Mirabeau's reply to a less impertinent objector. Victor Hugo's acquaintance with navigation or other sciences may or may not have been as imperfect as Shakespeare's acquaintance with geography and natural history; the knowledge of such a man's ignorance or inaccuracy in detail is in either case of exactly equal importance: and the importance of such knowledge is for all men of sense and candour exactly equivalent to zero.
Between the tragedy of Gilliatt and the tragedy of Gwyn-
