This process—of which there are indications here—will readily account for the almost entire disappearance of any remains of the abbey of Chertsey, hastened, possibly, by the removal of the monks to Bisham in Berkshire, as they would endeavour to carry with them whatever was most valuable and portable; and the erection of the house for Sir Nicholas Carew, would complete the demolition of anything, that previous hands had left.
If we have little beyond analogy to guide us in determining the exact position of the monastic buildings, we have still less to assist us in arriving at any definite idea of their appearance.
In the annexed woodcuts, it may be seen that a representation of a building, occurs at the head of the seal of John de Medmenham, abbot of Chertsey about 1261, and a similar representation from the seal of his successor, Bartholomew of Winchester. Between these there appears this similarity, that they consist of three principal parts, finished with three gables; at the same time they are so far dissimilar, as to preclude the idea of the latter being copied from the former. I therefore, imagine them to have been meant for representations of the abbey church, though differently treated, both as to point of sight and conventional expression. I take the former one to be a view of the west front, with the two transept ends brought round so as to be both represented. This will give three large openings in the front, suggesting a resemblance to Peterborough Cathedral, and two in each transept, corresponding with what I have supposed to be the internal division of the south transept. At the angles of the west front are two large objects resembling horns, which I take to be conventional representations of purfled or crocketed pinnacles, each
