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SYMBOLISM, ITS MEANING AND EFFECT

ments of experience. This mode of perception, taken purely by itself, is barren, because we may not directly connect the qualitative presentations of other things with any intrinsic characters of those things. We see the image of a coloured chair, presenting to us the space behind a mirror; yet we thereby gain no knowledge concerning any intrinsic characters of spaces behind the mirror. But the image thus seen in a good mirror is just as much an immediate presentation of colour qualifying the world at a distance behind the mirror, as is our direct vision of the chair when we turn round and look at it. Pure presentational immediacy refuses to be divided into delusions and not-delusions. It is either all of it, or none of it, an immediate presentation of an external contemporary world as in its own right spatial. The sense-data involved in presentational immediacy have a wider relationship in the world than these contemporary things can express. In abstraction from this wider relationship, there is no means of determining the importance of the apparent qualification of contemporary objects by sense-data. For this reason the phrase ‘mere appearance’ carries the suggestion of barrenness. This wider relationship of the sense-data can only be understood by examining