problems of paiderastia and the position of women in Greece intersect.
In reviewing the external circumstances which favoured paiderastia, it may be added, as a minor cause, that the leisure in which the Greeks lived, supported by a crowd of slaves, and attending chiefly to their physical and mental culture, rendered them peculiarly liable to pre-occupations of passion and pleasure-seeking. In the early periods, when war was incessant, this abundance of spare time bore less corrupt fruit than during the stagnation into which the Greeks, enslaved by Macedonia and Rome, declined.
So far, I have been occupied in the present section with the specific conditions of Greek society which may be regarded as determining the growth of paiderastia. With respect to the general habit of mind which caused the Greeks, in contradistinction to the Jews and Christians, to tolerate this form of feeling, it will be enough here to remark that Paganism could have nothing logically to say against it. The further consideration of this matter I shall reserve for the next division of my essay, contenting myself for the moment with the observation that Greek religion and the instincts of the Greek race offered no direct obstacle to the expansion of a habit which was strongly encouraged by the circumstances I have just enumerated.
XVIII.
Upon a topic of great difficulty, which is, however, inseparable from the subject-matter of this inquiry, I shall not attempt to do more than to offer a few suggestions. This is the relation of paiderastia to Greek art. Whoever may have made a study of antique sculpture will not have failed to recognise its healthy human tone, its ethical rightness. There is no partiality for the beauty of the male sex, no endeavour to reserve for the masculine deities the nobler attributes of man's intellectual and moral nature, no extravagant attempt to refine upon masculine qualities by the blending of feminine voluptuousness. Aphrodite and Artemis hold their place beside Erôs and Hermes. Ares is less distinguished by the genius lavished on him than Athene. Hera takes rank with Zeus, the Nymphs with the Fauns, the Muses with Apollo. Nor are even the minor statues, which belong to decorative rather than high art, noticeable for the attribution of sensual beauties to the form of boys. This, which is certainly true of the best age, is, with rare exceptions, true of all the ages of
