SYRIA, THE LAND OF LEBANON
You pass along a dirty alley to an insignificant wooden door in a high stone wall. Just inside is the porter's cell; then comes a dark, vaulted passageway, which either has a sharp bend in it or else is screened at the farther end; then—
The open court which you enter may be three hundred feet across. Its tessellated pavement is of white marble inlaid with arabesques of darker stone. In the center is a fountain with designs of colored limestone set into its marble walls. Potted flowers bloom luxuriantly in the warm sunlight, and birds sing to the accompaniment of the splashing water. In the grateful shade of small fruit trees are placed bright rugs and soft cushions and tabarets made of rare woods inlaid with mother-of-pearl. The many lofty windows in the red and yellow striped walls of the surrounding dwelling are curtained with gorgeous silks.
At one side, usually the south, a spacious alcove reaches to the height of the second-story ceiling. This liwân, or drawing-room, is entirely open to the court; but its floor is raised a foot or two above the pavement outside, and its decorations are as rich and elaborate as if it were a huge, glittering jewel-box. No figures of men or animals are seen, for Moslems are forbidden to make representations of any living creature in the heavens above or the earth beneath or the waters under the earth;[1] yet it is
- ↑ According to the most strict Moslem teachers, the com-
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