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ON CRITICISM.

Pope was no poet. We cannot by a little verbal sophistry confound the qualities of different minds, nor force opposite excellences into a union by all the intolerance in the world. We may pull Pope in pieces as long as we please for not being Shakespear or Milton, as we may carp at them for not being Pope, but this will not make a poet equal to all three. If we have a taste for some one precise style or manner, we may keep it to ourselves and let others have theirs. If we are more catholic in our notions, and want variety of excellence and beauty, it is spread abroad for us to profusion in the variety of books and in the several growth of men’s minds, fettered by no capricious or arbitrary rules. Those who would proscribe whatever falls short of a given standard of imaginary perfection do so, not from a higher capacity of taste or range of intellect than others, but to destroy, to “crib and cabin in,” all enjoyments and opinions but their own.

We find people of a decided and original, and others of a more general and versatile taste. I have sometimes thought that the most acute and original-minded men made bad critics. They see everything too much through a particular medium. What does not fall in with their own bias and mode of composition, strikes