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ON PATRONAGE AND PUFFING.

perceive that the rogue licked his lips at it, and had already in imagination “bought golden opinions of all sorts of people” by this very criticism, and I had the satisfaction the next day to meet Miss Stephens coming out of the editor’s room, who had been to thank him for his very flattering account of her.

I was sent to see Kean the first night of his performance in Shylock, when there were about a hundred people in the pit; but from his masterly and spirited delivery of the first striking speech, “On such a day you called me a dog,” &c., I perceived it was a hollow thing. So it was given out in the Chronicle; but Perry was continually at me as other people were at him, and was afraid it would not last. It was to no purpose I said it would last: yet I am in the right hitherto. It has been said, ridiculously, that Mr. Kean was written up in the Chronicle. I beg leave to state my opinion that no actor can be written up or down by a paper. An author may be puffed into notice, or damned by criticism, because his book may not have been read. An artist may be overrated, or undeservedly decried, because the public is not much accustomed to see or judge of pictures. But an actor is judged by his peers, the play-going public, and must stand or fall by his own merits or de-