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ON GENIUS AND COMMON SENSE.

French wines from our tables, or refuse to taste sparkling Champagne when we can get it, because it has not the body of Old Port. Besides, I do not know that dulness is strength, or that an observation is slight, because it is striking. Mediocrity, insipidity, want of character is the great fault. Mediocribus esse poetis non Dii, non homines, non concessêre columnœ. Neither is this privilege allowed to prose-writers in our time, any more than to poets formerly.

It is not then acuteness of organs or extent of capacity that constitutes rare genius or produces the most exquisite models of art, but an intense sympathy with some one beauty or distinguishing characteristic in nature. Irritability alone, or the interest taken in certain things, may supply the place of genius in weak and otherwise ordinary minds. As there are certain instruments fitted to perform certain kinds of labour, there are certain minds so framed as to produce certain chef-d'œuvres in art and literature, which is surely the best use they can be put to. If a man had all sorts of instruments in his shop and wanted one, he would rather have that one than be supplied with a double set of all the others. If he had them twice over, he could only do what he can do as it is, whereas without that one he perhaps cannot finish any one work he