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ON THE PLEASURE OF PAINTING.

mind, but was withal very capricious; who was honoured in life and death, expiring in the arms of one of the greatest princes of that age, Francis I. King of France, who loved him as a friend. Another is of him[1] who lived a long and happy life, beloved of Charles V. emperour; and many others of the first princes of Europe. When one has another in hand, we think this was done by one[2] who so excelled in three arts, as that any of them in that degree had rendered him worthy of immortality; and one moreover that durst contend with his sovereign (one of the haughtiest popes that ever was) upon a slight offered to him, and extricated himself with honour. Another is the work of him[3] who, without any one exterior advantage but mere strength of genius, had the most sublime imaginations, and executed them accordingly, yet lived and died obscurely. Another we shall consider as the work of him[4] who restored Painting when it had almost sunk; of him whom art made honourable, but who, neglecting and despising greatness with a sort of cynical pride, was treated suitably to the figure he gave himself, not his intrinsic worth; which, not having philosophy enough to bear it, broke his heart.

  1. Titian.
  2. Michael Angelo.
  3. Correggio.
  4. Annibal Caracci.