Page:Tales by Musæus, Tieck, Richter, Volume 1.djvu/131

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MELECHSALA.
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author, who falls into his creative hands, and, nill he will he, must submit to let himself be modernised, that is to say, again made readable and likeable; or as a new pedagogue with the ancient forms of the Schools. He jumbled in variegated confusion what he found before him, making all things different, nothing better. The profitable fruit-trees he rooted out, and planted rosemary and valerian, and exotic shrubs, or scentless amaranths, in their stead. The rich soil he dug away, and coated the naked bottom with many-coloured gravel, which he carefully stamped hard, and smoothed like a threshing-floor, that no blade of grass might spring in it. The whole space he divided into various terraces, which he begirt with a hem of green; and through these a strangely-twisted flower-bed serpentised along, and ended in a knot of villanously-smelling boxwood. And as from his ignorance of botany, he paid no heed to the proper seasons for sowing and planting, his garden project hovered for a long time between life and death, and had the aspect of a suit of clothes à feuille mourante.

Shiek Kiamel, and the Sultan himself, allowed the Western gardener to take his course, without deranging his conception by their interference or their dictatorial opinion, and by premature hypercriticism interrupting the procedure of his horticultural genius. In this they acted more wisely than our obstreperous public, which, from our famous philanthropic scheme of sowing acorns, expected in a summer or two a stock of strong oaks, fit to be masts for three-deckers; while the plantation was as yet so soft and feeble, that a few frosty nights might have sent it to destruction. Now, indeed, almost in the middle of the second decade of years from the commencement of the enterprise, when the first fruits must certainly be over-ripe, it were in good season for a German Kiamel to step forward with the question: “Planter, what art thou about? Let us see what thy delving, and the loud clatter of thy cars and wheelbarrows have produced?” And if the plantation stood before him like that of the Gleichic Garden at Grand Cairo, in the sere and yellow leaf, then were he well entitled, after due consideration of the matter, like the Shiek, to shake his head in silence, to spit a squirt through his teeth, and think within himself: If this be all, it might have stayed as it was. For one day, as the gardener was surveying his new creation