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TWELFTH NIGHT.
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was not married to Olivia; the evidence of that lady and the priest made Orsino believe that his page had robbed him of the treasure he prized above his life. But thinking that it was past recall, he was bidding farewell to his faithless mistress, and the young dissembler, her husband, as he called Viola, warning her never to come in his sight again, when (as it seemed to them) a miracle appeared! for another Cesario entered, and addressed Olivia as his wife. This new Cesario was Sebastian, the real husband of Olivia; and when their wonder had a little ceased at seeing two persons with the same face, the same voice, and the same habit, the brother and sister began to question each other, for Viola could scarce be persuaded that her brother was living, and Sebastian knew not how to account for the sister he supposed drowned being found in the habit of a young man. But Viola presently acknowledged that she was indeed Viola and his sister under that disguise.

When all the errors were cleared up which the extreme likeness between this twin brother and sister had occasioned, they laughed at the lady Olivia for the pleasant mistake she had made in falling in love with a woman; and Olivia showed no dislike to her exchange, when she found she had wedded the brother instead of the sister.

The hopes of Orsino were for ever at an end by this marriage of Olivia, and with his hopes, all his fruitless love seemed to vanish away, and all his thoughts were fixed on the event of his favourite, young Cesario, being changed into a fair lady. He viewed Viola with great attention, and he remem-