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for the occasion, rather added to the dreariness of the scene. Old fragments of tapestry, torn from the walls of other apartments, had been hastily and partially disposed around those of the chapel, and mingled inconsistently with scutcheons and funeral emblems of the dead, which they elsewhere exhibited. On each side of the stone altar was a monument, the appearance of which formed an equally strange contrast. On the one was the figure, in stone, of some grim hermit, or monk, who had died in the odour of sanctity; he was represented as recumbent, in his cowl and scapulaire, with his face turned upward as in the act of devotion, and his hands folded, from which his string of beads were dependent. On the other side was a tomb, in the Italian taste, composed of the most beautiful statuary marble, and accounted a model of modern art. It was erected to the memory of Isabella's mother, the late Mrs Vere of Ellieslaw, who was represented as in a dying posture,