adolescent mooniness. Edith Bradin was falling in love with her recollection of Gordon Sterrett.
So she came out of the dressing-room at Delmonico's and stood for a second in the doorway looking over the shoulders of a black dress in front of her at the groups of Yale men who flitted like dignified black moths around the head of the stairs. From the room she had left drifted out the heavy fragrance left by the passage to and fro of many scented young beauties—rich perfumes and the fragile memory-laden dust of fragrant powders. This odor drifting out acquired the tang of cigarette smoke in the hall, and then settled sensuously down the stairs and permeated the ballroom where the Gamma Psi dance was to be held. It was an odor she knew well, exciting, stimulating, restlessly sweet—the odor of a fashionable dance.
She thought of her own appearance. Her bare arms and shoulders were powdered to a creamy white. She knew they looked very soft and would gleam like milk against the black backs that were to silhouette them to-night. The hairdressing had been a success; her reddish mass of hair was piled and crushed and creased to an arrogant marvel of mobile curves. Her lips were finely made of deep carmine; the irises of her eyes were delicate, breakable blue, like china eyes. She was a complete, infinitely delicate, quite perfect thing of beauty, flowing in an even line from a complex coiffure to two small slim feet.
She thought of what she would say to-night at this revel, faintly prestiged already by the sounds of high and low laughter and slippered footsteps, and movements of couples up and down the stairs. She would talk the language she had talked for many years—her line—made up of the current expressions, bits of journalese and college slang strung together into an intrinsic whole, careless,
