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MURDER AND PILLAGE
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seemed a companion walking at his side. It was Hate—and it brought to him a measure of solace and of comfort, for it was a sublime hate that ennobled him as it has ennobled countless thousands since—hatred for Germany and Germans. It centered about the slayer of his mate, of course; but it included everything German, animate or inanimate. As the thought took firm hold upon him he paused and raising his face to Goro, the moon, cursed with upraised hand the authors of the hideous crime that had been perpetrated in that once peaceful bungalow behind him; and he cursed their progenitors, their progeny, and all their kind the while he took silent oath to war upon them relentlessly until death overtook him.

There followed almost immediately a feeling of content, for where before his future at best seemed but a void, now it was filled with possibilities the contemplation of which brought him, if not happiness, at least a surcease of absolute grief for before him lay a great work that would occupy his time.

Stripped not only of all the outward symbols of civilization, Tarzan had also reverted morally and mentally to the status of the savage beast he had been reared. Never had his civilization been more than a veneer put on for the sake of her he loved because he thought it made her happier to see him thus. In reality he had always held the outward evidences of so—called culture in deep contempt. Civilization meant to Tarzan of the Apes a curtailment of freedom in all its aspects—freedom of