of different species; some are harsh and others monotonous, and some strike the imagination by their novelty whilst others are melodious; and to the naturalist each, in its particular way and in a particular degree, probably makes some appeal according to the associations that it arouses. But just why a Marsh- Warbler is gifted with a voice that is so beautiful and varied, whilst the Grasshopper- Warbler must perforce remain content with a monotonous trill; just why the tail feathers of the Snipe have developed into an instrument, whilst the Pied Woodpecker has developed muscles which enable it to make use of a decayed branch as an instrument—we know no more than we do of the nature of the forces which lead the ReedWarbler to weave its nest to reeds, or the caterpillar of the Elephant Hawk Moth to assume so peculiar an attitude when disturbed. When therefore I speak of the origin. I do not refer to the mode of origin of variation; I take for granted that variations somehow arise, and I seek to ascertain whether there is anything in the phenomena which we have explored which might reasonably be held to determine the survival of this one in preference to that.
When we reflect upon the problem of song and consider the numerous and diverse forms in which it is manifested, we are apt to draw a comparison between the sounds we hear and those produced by musical instruments, and hence to conclude that each bird is gifted
