law no less. "It would be as wrong," says Sayce, "to use thou for the nominative thee in the Somersetshire dialect as it is to say thee art instead of you are in the Queen's English." All the American dialect needs, in the long run, to make even pedagogues acutely aware of it, is a poet of genius to venture into it, as Chaucer ventured into the despised English of his day, and Dante into the Tuscan dialect, and Luther, in his translation of the Bible, into peasant German. Walt Whitman made a half attempt and then drew back; Lowell, perhaps, also heard the call, but too soon. The Irish dialect of English, vastly less important than the American, has already had its interpreters Douglas Hyde, John Milington Synge and Augusta Gregory and with what extraordinary results we all know. Here we have writing that is still indubitably English, but English rid of its artificial restraints and broken to the less self-conscious grammar and syntax of a simple and untutored folk. Synge, in his preface to "The Playboy of the Western World," [1] tells us how he got his gypsy phrases "through a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servant girls in the kitchen." There is no doubt, he goes on, that "in the happy ages of literature striking and beautiful phrases were as ready to the story-teller's or the playwright's hand as the rich cloaks and dresses of his time. It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children."
The result, in the case of the neo-Celts, is a dialect that stands incomparably above the tight English of the grammarians a dialect so naïf, so pliant, so expressive, and, adeptly managed, so beautiful that even purists have begun to succumb to it, and it promises to leave lasting marks upon English style. The American dialect has not yet come to that stage. In so far as it is apprehended at all it is only in the sense that Irish-English was apprehended a generation ago—that is, as something un-
- ↑ Dublin, 1907. See also ch. ii of Ireland's Literary Renaissance, by Ernest A. Boyd; New York, 1916.
