meet in mid-air: one star is alone visible. Sailing in vacancy are the shadows of the lovers. The countenance of Francesca is expressive of hopeless agony. The delineations are sublime, the conception is of the highest order, and the execution admirable. Dante is seated in a marble vestibule, in a meditating attitude, the face partly concealed by the right hand upon which it is resting. On the whole, it is an excellently painted piece, and causes one to go back with a fresh relish to the Italian's celebrated poem.
In coming out we stopped a short while in the upper room of the gallery, and spent a few minutes over a painting representing Mrs. Siddons in one of Shakspeare's characters. This is by Sir Joshua Reynolds, and is only one of the many pieces that we have seen of this great artist. His genius was vast and powerful in its grasp, his fancy fertile, and his inventive faculty inexhaustible in its resources. He displayed the very highest powers of genius by the thorough originality of his conceptions, and by the entirely new path that he struck out in art. Well may Englishmen be proud of his name. And as time shall step between his day and those that follow after him, the more will his works be appreciated. We have since visited his grave, and stood over his monument in St. Paul's.
