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THE ARABIAN NIGHTS

Khaujeh Houssain, who did not expect this diversion after supper, began to fear he should not be able to improve the opportunity he thought he had found: but hoped, if he now missed his aim, to secure it another time, by keeping up a friendly correspondence with the father and son; therefore, though he could have wished Ali Baba would have declined the dance, he had the complaisance to express his satisfaction at what he saw pleased his host.

As soon as Abdoollah saw that Ali Baba and Khaujeh Houssain had done talking, he began to play on the tabor, and accompanied it with an air; to which Morgiana, who was an excellent performer, danced in such a manner as would have created admiration in any other company besides that before which she now exhibited, among whom, perhaps, none but the false Khaujeh Houssain was in the least attentive to her, the rest having seen her so frequently. |

After she had danced several dances with equal propriety and grace, she drew the poniard, and holding it in her hand, began a dance, in which she outdid herself, by the many different figures, light movements, and the surprising leaps and wonderful exertions with which she accompanied it. Sometimes she presented the poniard to one person’s breast, sometimes to another’s, and oftentimes seemed to strike her own. At last, as if she was out of breath, she snatched the tabor from Abdoollah with her left hand, and holding the dagger in her right, presented the other side of the tabor, after the manner of those who get a livelihood by dancing, and solicit the liberality of the spectators.

Ali Baba put a piece of gold into the tabor, as did also his son: and Khaujeh Houssain, seeing that she was coming to him, had pulled his purse out of his bosom to make her a present; but

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