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THE ARABIAN NIGHTS

form this concert; and if you will give yourself the trouble to go a little nearer, you will be convinced, and the voices will be the more distinct.”

The emperor went nearer and was so charmed with the sweet harmony that he would never have been tired with hearing it, but that his desire to have a nearer view of the fountain of golden water forced him away. ‘‘Daughter,” said he, “tell me, I pray you, whether this wonderful tree was found in your garden by chance, or was a present made to you, or have you procured it from some foreign country? It must certainly have come from a great distance, otherwise curious as I am after natural rarities I should have heard of it. What name do you call it by?”

“Sir,” replied the princess, “this tree has no other name than that of the Singing Tree, and is not a native of this country. It would at present take up too much time to tell your majesty by what adventures it came here; its history is connected with the Golden Water and the Talking Bird, which came to me at the same time, and which your majesty may presently see. But if it be agreeable to your majesty, after you have rested yourself and recovered the fatigue of hunting, which must be the greater because of the sun’s intense heat, I will do myself the honour of relating it to you.”

“My daughter,” replied the emperor, “my fatigue is so well recompensed by the wonderful things you have shown me, that I do not feel it in the least. Let me see the Golden Water, for I am impatient to see and admire afterward the Talking Bird.”

When the emperor came to the Golden Water, his eyes were fixed so steadfastly upon the fountain, that he could not take them off. At last, addressing himself to the princess, he said: “As you tell me, daughter, that this water has no spring or communication, I conclude that it is foreign, as well as the Singing Tree.”

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