ON SOME FORMS OF LITERATURE.
In the drama, which is the most perfect reflection of human existence, there are three stages in the presentation of the subject, with a corresponding variety in the design and scope of the piece.
At the first, which is also the most common, stage, the drama is never anything more than merely interesting. The persons gain our attention by following their own aims, which resemble ours; the action advances by means of intrigue and the play of character and incident; while wit and raillery season the whole.
At the second stage, the drama becomes sentimental. Sympathy is roused with the hero and, indirectly, with ourselves. The action takes a pathetic turn; but the end is peaceful and satisfactory.
The climax is reached with the third stage, which is the most difficult. There the drama aims at being tragic. We are brought face to face with great suffering and the storm and stress of existence; and the outcome of it is to show the vanity of all human effort. Deeply moved, we are either directly prompted to disengage our will from the struggle of life, or else a chord is struck in us which echoes a similar feeling.
The beginning, it is said, is always difficult. In the drama it is just the contrary; for these the difficulty always lies in the end. This is proved by countless
