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IV
THE ASPERN PAPERS
41

Strange as it may appear to you she was very attractive in 1820. Meanwhile are we not in Venice together, and what better place is there for the meeting of dear friends? See how it glows with the advancing summer; how the sky and the sea and the rosy air and the marble of the palaces all shimmer and melt together.' My eccentric private errand became a part of the general romance and the general glory—I felt even a mystic companionship, a moral fraternity with all those who in the past had been in the service of art. They had worked for beauty, for a devotion; and what else was I doing? That element was in everything that Jeffrey Aspern had written and I was only bringing it to the light.

I lingered in the sala when I went to and fro; I used to watch—as long as I thought decent—the door that led to Miss Bordereau's part of the house. A person observing me might have supposed I was trying to cast a spell upon it or attempting some odd experiment in hypnotism. But I was only praying it would open or thinking what treasure probably lurked behind it. I hold it singular, as I look back, that I should never have doubted for a moment that the sacred relics were there; never have failed to feel a certain joy at being under the same roof with them. After all they were under my hand—they had not escaped me yet; and they made my life continuous, in a fashion, with the illustrious life they had touched at the other end. I lost myself in this satisfaction to the point of assuming—in my quiet extravagance—that poor Miss Tita also went back, went back, as I used to phrase it. She did indeed, the gentle spinster, but not quite so