blurting out their real minds every moment, and never smoothing matters!'
"'Mamma, what a horrid picture!' cries Laure."
When upon this subject our author leaves innuendo, and fairly shows his colors, he writes in this wise:—
"For nothing is so hard to her sex as a long, steady struggle. In matters physical, this is the thing the muscles of the fair cannot stand. In matters intellectual and moral, the long strain it is that beats them dead. Do not look for a Bacona, a Newtona, a Handella, a Victoria Huga. Some American ladies tell us education has stopped the growth of these. No, Mesdames! These are not in Nature. They can bubble letters in ten minutes that you could no more deliver to order in ten days than a river can play like a fountain. They can sparkle gems of stories; they can flash little diamonds of poems. The entire sex has never produced one opera, nor one epic that mankind could tolerate a minute: and why?—these come by long, high-strung labor. But, weak as they are in the long run of everything but the affections, (and there giants,) they are all overpowering while the gallop lasts. Fragilla shall dance any two of you flat on the floor before four o'clock, and then dance on till peep of day. You trundle off to your business as usual, and could dance again the next night, and so on through countless ages. She who danced you into nothing is in bed, a human jelly crowned with headache."
Certainly, the concluding sentence shows that the writer is unacquainted with the Fifth-Avenue Fragilla. And, moreover, we were unaware that she had ever entered herself as competitor with Dr. Windship in the lifting of three-thousand-pound weights. But this is poor stuff for a man of talent to busy himself with,—as if the Creator intended rivalry between beings complementary to each other, and of too diverse physical organization to allow the idea. Yet a fair friend of ours would meet him on his own ungallant ground. If Mr. Reade will trouble himself, says Una and the Lion, to turn over a work of Frances Power Cobbe's on Intuitive Morals, he will see that the first two impossibilities in his catalogue are lessened so far as to allow hope; as for Handella, there is reason to believe in her advent,—many women have written faultless tunes,—all that is wanted is mathematical harmony,—and Mary Somerville, Maria Mitchell, and the sister of the Herschels forbid despair on that point; and God forbid the Victoria Huga! the male of the species is more than enough. We must look upon any wide departure from the prevailing pattern either as a monstrosity or as a development of the great plan; therefore, if one of these women is a monstrosity, Laplace and Aristotle are to be considered equally so. And then, also, Mr. Reade, masculine as he is, finds eclipse in the shade of either Mrs. Lewes, (Marion Evans,) or Charlotte Brontè, or Madame Dudevant. As for men, they are themselves just emerging from barbarism; a race rises only with its women, as all history shows. The whole sex has produced no operas? they are modern things; when men have advanced a little, when our audience is ready, we shall write operas. Epics? how many has the entire opposite sex produced? well, four: terrible disparity, when we count by billions! These are not in Nature? Whose assertion for that? till he can prove it, the word of "some American ladies" is as good as the word of Mr. Charles Reade. For myself, continued the outraged Una, I know a beautiful woman who left lovers, society, pleasures,—absorbed in her moulding and modelling, day by day and year by year, with no positive result except in her own convictions and consciousness,—who spent the long summer hours alone in the little building with her white ideas, and who, winter night after night, rose to cross street and garden and snowy fields to tend the fire and wet the clay, and who, on more than one morning finding the weary labor of months wasted where the frozen substance had peeled from the framework and lay in fragments on the floor, without a murmur began the patient work again. That was
