Bentham, the originator of that Panopticon, which was the germ of all our prison discipline as well as of all penitentiary improvements, the world over,—"Here is an autograph you will think worth having, I am sure, after what I have heard you say of the writer, and of her tragedies, and I want you to see her";—handing me, as she spoke, the following brief note, written upon a bit of coarse paper about six inches by four.
"If you are perfectly disengaged this evening, Agnes and I will have the pleasure of taking tea with you, if you give us leave.
Now, if there was a woman in the world I wanted to see, or one that I most heartily reverenced, it was Joanna Baillie. Her "De Montfort" I had always looked upon as one of the greatest tragedies ever written,—equal to anything of Shakespeare's for strength of delineation, simplicity, and effect, however inferior it might be in the superfluities of genius, in the overcharging of character and passion, of which we find so much in Shakespeare; and, on the whole, not unlike that wonderful Danish drama, "Dyveke," or a part of "Wallenstein."
My great desire was now to be satisfied. We met, and I passed one of the pleasantest evenings of my life with Mrs. Baillie, as they called her, Lady Bentham, her most intimate if not her oldest friend, and "sister Agnes."
I found Mrs. Baillie wholly unlike the misrepresentations I had seen of her. She was rather small,—though far from being diminutive, like her sister Agnes,—with a charming countenance, full of placid serenity, almost Quakerish, beautiful eyes, and gray hair, nearly white indeed, combed smoothly away from her forehead. We talked freely together, avoiding the shop, and the impression she left on my mind was that of a modest, unpretending gentlewoman, full of quiet strength and shrewd pleasantry, with a Scottish flavor, but altogether above being brilliant or showy, even in conversation with a stranger and an author. She questioned me closely about my country and about the people, and appeared to take much interest in our doings and prospects. Her sister Agnes never opened her mouth, to the best of my recollection and belief, though she listened with her eyes and ears to the conversation, and appeared to enjoy it exceedingly; and as for Lady Bentham, though a clever woman of large experience and great resources, such was her self-denial and her generous admiration of the "queenly stranger," as I had called her friend in sport,—remembering how it was applied to the magnificent Siddons, when she represented Jane de Montfort,—that she did nothing more and said nothing more than what was calculated to bring out her friend to advantage. There was nothing said, however, from which a person unacquainted with the writings of Joanna Baillie would have inferred her true character,—no flashing lights, no surprises, no thunder-bursts. The conversation was, at the best, but sociable and free, as if we were all of the same neighborhood or household; but knowing her by her great work on the Passions, I was profoundly impressed, nevertheless, and left her well satisfied with her revelations of character.
Catalani.—What a magnificent creature! How majestic and easy and graceful! And then what a voice! One would swear she had a nest of nightingales and a trumpet obligato in her throat. No wonder she sets the great glass chandeliers of the Argyle rooms ringing and rattling when she charges in a bravura.
That she is, in some passages, a little—not vulgar—but almost vulgar, with a dash of the contadina, is undeniable; and she certainly has not a delicate ear, and often sings false; yet, when that tempestuous warbling in her throat breaks forth, and the flush of her heart's blood hurries over her face and empurples her neck, why then "bow the high banners, roll the answering drums," and shut up, if you wouldn't be torn to pieces by a London mob.
