wearing a tasselled cap, and holding a sheet of music-paper in his hand. His wife—the Frau Kapellmeisterinn—born Josepha Poll—was not a helpmeet for him, being addicted to strong drink, and therefore, during her last years, placed in a convent in Cologne.
The Bonngasse, which runs Rhineward from the lower extremity of the Marktplatz, is, as the epithet gasse implies, not one of the principal streets of Bonn. Nor is it one of great length, notwithstanding the numbers upon its housefronts range so high,—for the houses of the town are numbered in a single series, and not street by street. In 1770, the centre of the Bonngasse was also a central point for the music and musicians of Bonn. Kapellmeister Beethoven dwelt in No. 386, and the next house was the abode of the Ries family. The father was one of the Elector’s chamber musicians; and his son Franz, a youth of fifteen, was already a member of the orchestra, and by his skill upon the violin gave promise of his future excellence. Thirty years afterward, his son became the pupil of the Beethoven in Vienna.
In No. 515, which is nearly opposite the house of Ries, lived the Salomons. Two of the sisters were singers in the Court Theatre, and the brother, Johann Peter, was a distinguished violinist. At a later period he emigrated to London, gained great applause as a virtuoso, established the concerts in which Haydn appeared as composer and director, and was one of the founders of the celebrated London Philharmonic Society.
It is common in Bonn to build two houses, one behind the other, upon the same piece of ground, leaving a small court between them,—access to that in the rear being obtained through the one which fronts upon the street. This was the case where the Salomons dwelt, and to the rear house, in November, 1767, Johann van Beethoven brought his newly married wife, Helena Keverich, of Coblentz, widow of Nicolas Layrn, a former valet of the Elector.
It is near the close of 1770. Helena has experienced “ the pleasing punishment that women bear,” but “remembereth no more the anguish for joy that a man is horn into the world.” Her joy is the greater, because last year, in April, she buried, in less than a week after his birth, her first-born, Ludwig Maria,—as the name still stands upon the baptismal records of the parish of St. Remigius, with the names of Kapellmeister Beethoven, and the next-door neighbor, Frau Loher, as sponsors. This second-born is a strong, healthy child, and his baptism is recorded in the same parish-book, Dec. 17, 1770, —the day of, possibly the day after, his birth, — by the name of Ludwig. The Kapellmeister is again godfather, but Frau Gertrude Müller, née Baum, next door on the other side, is the godmother. The Beethovens had neither kith nor kin in Bonn; the families Ries and Salomon, their intimate friends, were Israelites; hence the appearance of the neighbors, Frauen Loher and Müller, at the ceremony of baptism; —a strong corroborative evidence, that No. 515, Bonngasse, was the actual birth-place of Beethoven.
The child grew apace, and in manhood his earliest and proudest recollections, save of his mother, were of the love and affection lavished upon him, the only grandchild, by the Kapellmeister. He had just completed his third year when the old man died, and the bright sun which had shone upon his infancy, and left an ineffaceable impression upon the child’s memory, was obscured. Johann van Beethoven had inherited his mother’s failing, and its effects were soon visible in the poverty of the family. He left the Bonngasse for quarters in that house in the Rheingasse, near the upper steamboat-landing, which now erroneously bears the inscription, Ludwig van Beethovens Geburtshaus.
His small inheritance was soon squandered; his salary as singer was small, and at length even the portrait of his father went to the pawnbroker. In the April succeeding the Kapellmeister’s death, the expenses of Johann’s family were increased by the birth of another
