Page:The Atlantic Monthly Volume 10.pdf/406

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Autumnal Tints.
[October,

looked into that Red-Maple swamp all a-blaze,—where the trees were clothed in their vestures of most dazzling tints, did it not suggest a thousand gypsies beneath,—a race capable of wild delight,—or even the fabled fawns, satyrs, and wood-nymphs come back to earth? Or was it only a congregation of wearied wood-choppers, or of proprietors come to inspect their lots, that we thought of? Or, earlier still, when we paddled on the river through that fine-grained September air, did there not appear to be something new going on under the sparkling surface of the stream, a shaking of props, at least, so that we made haste in order to be up in time? Did not the rows of yellowing Willows and Button-Bushes on each side seem like rows of booths, under which, perhaps, some fluviatile egg-pop equally yellow was effervescing? Did not all these suggest that man's spirits should rise as high as Nature's,—should hang out their flag, and the routine of his life be interrupted by an analogous expression of joy and hilarity?

No annual training or muster of soldiery, no celebration with its scarfs and banners, could import into the town a hundredth part of the annual splendor of our October. We have only to set the trees, or let them stand, and Nature will find the colored drapery,—flags of all her nations, some of whose private signals hardly the botanist can read,—while we walk under the triumphal arches of the Elms. Leave it to Nature to appoint the days, whether the same as in neighboring States or not, and let the clergy read her proclamations, if they can understand them. Behold what a brilliant drapery is her Woodbine flag! What public-spirited merchant, think you, has contributed this part of the show? There is no handsomer shingling and paint than this vine, at present covering a whole side of some houses. I do not believe that the Ivy never sear is comparable to it. No wonder it has been extensively introduced into London. Let us have a good many Maples and Hickories and Scarlet Oaks, then, I say. Blaze away! Shall that dirty roll of bunting in the gun-house be all the colors a village can display? A village is not complete, unless it have these trees to mark the season in it. They are important, like the town-clock. A village that has them not will not be found to work well. It has a screw loose, an essential part is wanting. Let us have Willows for spring, Elms for summer, Maples and Walnuts and Tupeloes for autumn, Evergreens for winter, and Oaks for all seasons. What is a gallery in a house to a gallery in the streets, which every market-man rides through, whether he will or not? Of course, there is not a picture-gallery in the country which would be worth so much to us as is the western view at sunset under the Elms of our main street. They are the frame to a picture which is daily painted behind them. An avenue of Elms as large as our largest and three miles long would seem to lead to some admirable place, though only C——— were at the end of it.

A village needs these innocent stimulants of bright and cheering prospects to keep off melancholy and superstition. Show me two villages, one embowered in trees and blazing with all the glories of October, the other a merely trivial and treeless waste, or with only a single tree or two for suicides, and I shall be sure that in the latter will be found the most starved and bigoted religionists and the most desperate drinkers. Every wash-tub and milk-can and gravestone will be exposed. The inhabitants will disappear abruptly behind their barns and houses, like desert Arabs amid their rocks, and I shall look to see spears in their hands. They will be ready to accept the most barren and forlorn doctrine,—as that the world is speedily coming to an end, or has already got to it, or that they themselves are turned wrong side outward. They will perchance crack their dry joints at one another and call it a spiritual communication.

But to confine ourselves to the Maples. What if we were to take half as much pains in protecting them as we do in set-