novels, and wish to imagine something very aristocratic and Saxon. A "bright Bostonian" who met him once at my house, exclaimed as soon as he had gone out of the room, "At last, at last, I behold it, the mustache of Roland Tremayne!"
"Of Roland Tremayne!"
"Don't you remember in A Lawless Love, how often it's mentioned, and how glorious and golden it was? Well, I have never seen it till now, but now I have seen it!"
If you had n't seen Ambrose Tester, the best description I could give of him would be to say that he looked like Roland Tremayne. I don't know whether that hero was a "strong Liberal," but this is what Sir Ambrose is supposed to be. (He succeeded his father two years ago, but I shall come to that.) He is not exactly what I should call thoughtful, but he is interested, or thinks he is, in a lot of things that I don't understand, and that one sees and skips in the newspapers,—volunteering, and redistribution, and sanitation, and the representation of minors—minorities—what is it? When I said just now that he is always laughing, I ought to have explained that I did n't mean when he is talking to Lady Vandeleur. She makes him serious, makes him almost solemn; by which I don't mean that she bores him. Far from it; but when he is in her company he is thoughtful; he pulls his golden mustache, and Roland Tremayne looks as if his vision were turned in, and he were meditating on her words. He does n't
