but of your own weakness. Certainly you were young then and inexperienced. But now everything can be different. Come on, be an actress. You will work; you will serve in the temple of art.". . .
"Don't be so clever, Nicolai," she interrupts. "Let's agree once for all: let's speak about actors, actresses, writers, but let us leave art out of it. You're a rare and excellent man. But you don't understand enough about art to consider it truly sacred. You have no flair, no ear for art. You've been busy all your life, and you never had time to acquire the flair. Really . . . I don't love these conversations about art!" she continues nervously. "I don't love them. They've vulgarised it enough already, thank you."
"Who's vulgarised it?"
"They vulgarised it by their drunkenness, newspapers by their over-familiarity, clever people by philosophy."
"What's philosophy got to do with it?"
"A great deal. If a man philosophises, it means he doesn't understand."
So that it should not come to bitter words, I hasten to change the subject, and then keep silence for a long while. It's not till we come out of the forest and drive towards Katy's bungalow, I return to the subject and ask:
"Still, you haven't answered me why you don't want to go on the stage?"
