THE BETTER SORT
his old sense to his new was absolute and final: what was to happen had so absolutely and finally happened that he was as little able to know a fear for his future as to know a hope; so absent in short was any question of anything still to come. He was to live entirely with the other question, that of his unidentified past, that of his having to see his fortune impenetrably muffled and masked.
The torment of this vision became then his occupation; he couldn't perhaps have consented to live but for the possibility of guessing. She had told him, his friend, not to guess; she had forbidden him, so far as he might, to know, and she had even in a sort denied the power in him to learn: which were so many things, precisely, to deprive him of rest. It wasn't that he wanted, he argued for fairness, that anything that had happened to him should happen over again; it was only that he shouldn't, as an anticlimax, have been taken sleeping so sound as not to be able to win back by an effort of thought the lost stuff of consciousness. He declared to himself at moments that he would either win it back or have done with consciousness for ever; he made this idea his one motive, in fine, made it so much his passion that none other, to compare with it, seemed ever to have touched him. The lost stuff of consciousness became thus for him as a strayed or stolen child to an unappeasable father; he hunted it up and down very much as if he were knocking at doors and inquiring of the police. This was the spirit in which, inevitably, he set himself to travel; he started on a journey that was to be as long as he could make it; it danced before him that, as the other side of the globe couldn't possibly have less to say to him, it might, by a possibility of suggestion, have more. Before he quitted London, however, he made a pilgrimage to May Bartram's grave, took his way to it through the endless avenues of the grim suburban necropolis,
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