Page:The Better Sort (New York, Charles Scribners Sons, 1903).djvu/325

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THE PAPERS

state of aspiration in which "luck" is the subject of most frequent reference, as definite as the colour red, and in which it is the elegant name for money when people are as refined as they are poor. She was only a suburban young woman in a sailor hat, and he a young man destitute, in strictness, of occasion for a "topper"; but they felt that they had in a peculiar way the freedom of the town, and the town, if it did nothing else, gave a range to the spirit. They sometimes went, on excursions that they groaned at as professional, far afield from the Strand, but the curiosity with which they came back was mostly greater than any other, the Strand being for them, with its ampler alternative Fleet Street, overwhelmingly the Papers, and the Papers being, at a rough guess, all the furniture of their consciousness.

The Daily Press played for them the part played by the embowered nest on the swaying bough for the parent birds that scour the air. It was, as they mainly saw it, a receptacle, owing its form to the instinct more remarkable, as they held the journalistic, than that even of the most highly organised animal, into which, regularly, breathlessly, contributions had to be dropped—odds and ends, all grist to the mill, all somehow digestible and convertible, all conveyed with the promptest possible beak and the flutter, often, of dreadfully fatigued little wings. If there had been no Papers there would have been no young friends for us of the figure we hint at, no chance mates, innocent and weary, yet acute even to penetration, who were apt to push off their plates and rest their elbows on the table in the interval between the turn-over of the pint-pot and the call for the awful glibness of their score. Maud Blandy drank beer—and welcome, as one may say; and she smoked cigarettes when privacy permitted, though she drew the line at this in the right place, just as she flattered herself she knew how to draw it, journalistically, where

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