began to contort his face, and signal with his mouth and eyebrows, like one who desired to convey a warning, yet dared not utter a sound.
Dick regarded him in wonder; then he turned and looked all about him at the empty hall.
"What make ye?" he inquired.
"Why, naught," returned the priest, hastily smoothing his countenance. "I make naught; I do but suffer; I am sick. I—I—prithee, Dick, I must begone. On the true cross of Holywood, I am clean innocent alike of violence or treachery. Content ye, good lad, Farewell!"
And he made his escape from the apartment with unusual alacrity.
Dick remained rooted to the spot, his eyes wandering about the room, his face a changing picture of various emotions, wonder, doubt, suspicion, and amusement. Gradually, as his mind grew clearer, suspicion took the upper hand, and was succeeded by certainty of the worst. He raised his head, and, as he did so, violently started. High upon the wall there was the figure of a savage hunter woven in the tapestry. With one hand he held a horn to his mouth; in the other he brandished a stout spear. His face was dark, for he was meant to represent an African.
Now, here was what had startled Richard Shelton. The sun had moved away from the hall windows, and at the same time the fire had blazed up high on the wide hearth, and shed a changeful glow upon the roof and
