Page:The Blind Man's Eyes (July 1916).pdf/81

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THE HAND IN THE AISLE
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"Answer it, then," Connery directed.

As the negro started to obey, Connery followed him into the open car. He could see over the negro's shoulder the hand sticking out into the aisle, and this time, at sight of it, Connery started violently. If Dorne had rung, he must have moved; a man who is awake does not let his hand hang out into the aisle. Yet the hand had not moved. Nothing was changed about it since Connery had seen it before. The long, sensitive fingers fell in precisely the same position as before, stiffly separated a little one from another; they had not changed their position at all.

"Wait!" Connery seized the porter by the arm. "I'll answer it myself."

He dismissed the negro and waited until he had gone. He looked about and assured himself that the car, except for himself and the man lying behind the curtains of Section Three, was empty. He slowed, as he approached the hand. He halted and stood a moment beside the berth, himself almost breathless as he listened for the sound of breathing within. He heard nothing, though he bent closer to the curtain. Yet he still hesitated, and retreating a little and walking briskly as though he were carelessly passing up the aisle, he brushed hard against the hand and looked back, exclaiming an apology for his carelessness.

The hand fell back heavily, inertly, and resumed its former position and hung as white and lifeless as before. No response to the apology came from behind the curtains; the man in the berth had not roused. Connery rushed back to the curtains and touched the hand with his fingers. It was cold! He seized the hand and felt it all over; then, gasping, he parted the curtains and