more of the picturesque, more truth to native and characteristic tendencies, and vastly greater suggestiveness, in the back view of a residence, whether in town or country, than in its front. The latter is always artificial; it is meant for the world's eye, and is therefore a veil and a concealment. Realities keep in the rear, and put forward an advance-guard of show and humbug. The posterior aspect of any old farm-house, behind which a railroad has unexpectedly been opened, is so different from that looking upon the immemorial highway, that the spectator gets new ideas of rural life and individuality in the puff or two of steam-breath which shoots him past the premises. In a city, the distinction between what is offered to the public and what is kept for the family is certainly not less striking.
But, to return to my window, at the back of the hotel. Together with a due contemplation of the fruit-trees, the grape-vines, the buttonwood-tree, the cat, the birds, and many other particulars, I failed not to study the row of fashionable dwellings to which all these appertained. Here, it must be confessed, there was a general sameness. From the upper story to the first floor, they were so much alike, that I could only conceive of the inhabitants as cut out on one identical pattern, like little wooden toy-people of German manufacture. One long, united roof, with its thousands of slates glittering in the rain, extended over the whole. After the distinctness of separate characters to which I had recently been accustomed, it perplexed and annoyed me not to be able to resolve this combination of human interests into well-defined elements. It seemed hardly worth while for more than one of those families to be in existence, since
